LONDON — Ruth Mackenzie, the British director of the Holland Festival, has been chosen as the next artistic director of the Theatre du Châtelet in Paris, succeeding Jean-Luc Choplin, who has held that position since 2004.
The decision, which must be ratified at a Jan. 11 meeting of the theater’s administrative board, was announced on Tuesday by the Paris mayor’s office. Later, the mayor, Anne Hidalgo, tweeted that Ms. Mackenzie had been chosen for her “experience and her ambitious and innovative artistic project.”
Ms. Mackenzie, 59, will not just be the rare Briton to head a French national institution, but the first woman to run the Châtelet since the theater opened in 1862. She will have a partner in the French arts administrator, Thomas Lauriot dit Prévost, who was Mr. Choplin’s No. 2 from 2006 to 2013, and who will hold the title of general director.
“We applied as a team,” Ms. Mackenzie said. “These are big jobs, and it’s very nice when there are two of you to work things out.” Mr. Lauriot dit Prévost was also “fantastically French,” Ms. Mackenzie added, “which makes up a little for me being British.”
Ms. Mackenzie, who was the director of London’s Cultural Olympiad in 2012, has also been the general director of Scottish Opera; artistic director, with Steven Pimlott and Martin Duncan, of the Chichester Festival Theater; general director of the Manchester International Festival; and a consultant dramaturg at the Vienna Festival. Since 2015, she has been the artistic director of the ambitious, multidisciplinary Holland Festival, which she will continue to direct through 2018 while the Châtelet theater undergoes major renovations that will keep it closed for the next two years.
Under Mr. Choplin, Châtelet moved away from classical music and dance productions to became a hub for American musicals, with highly successful productions of “Kiss Me, Kate,” “Singin’ in the Rain,” “42nd Street,” and, notably, “An American in Paris,” which transferred to Broadway and will open in London in March.
Ms. Mackenzie said that as her first season would begin in September 2019, it was too early to discuss the direction of her artistic program.
“What I will say is that I am interested in inventing new popular forms, whether with pop stars or classical composers or choreographers, whether on stage or on the internet,” she said. “Châtelet has always been an innovator, since the 19th-century search for new forms of opera, to Diaghilev and Stravinsky, William Forsythe and contemporary pop operas like Damon Albarn’s ‘Monkey: Journey to the West.’”
“As the mayor says, it’s as special to Paris as the Eiffel Tower,” she added. “I want it to house work that is original, new and sets the trend.”
This article passed through the Full-Text RSS service – if this is your content and you’re reading it on someone else’s site, please read the FAQ at fivefilters.org/content-only/faq.php#publishers.
Recommended article: The Guardian’s Summary of Julian Assange’s Interview Went Viral and Was Completely False.